Lessons From Fashion’s Best

Anna Wintour: Masterclass in Teaching Leadership and Creativity

I am a huge fan of the MasterClass App. I love the fact I can take courses wherever I go (and lectures can be downloaded for offline viewing on planes etc.) The app also has a wonderful concentration of ‘industry bests’. To be clear, I’m not sponsored by the app, although I’m thinking it might be something for me to pursue!! I am just a legit fan because I love to learn but also want to do it on my own schedule and locale. (I practice yoga the same way but will leave my yoga app endorsement for another post!)

The courses offered on the MasterClass App are so varied and regardless of one’s field of interest, the knowledge imparted by instructors always seems widely applicable. Malcolm Gladwell was my favorite because his energy and passion for his craft and its subjects sparkles palpably, but the (new) Anna Wintour class I just finished was profoundly more thought provoking and inspiring than I would have imagined.

https://youtu.be/j7BkeFy_L94

I was very surprised by Georgia’s choice to study Fashion in Paris. I thought she would choose perhaps a more varied design education where she would learn industrial design, commercial interior design and residential interior design. But her dad and I brought her to Paris at the age of 8 for her ‘alone (with us but without her brothers) trip’ and the city made its indelible mark on her. So when she decided to study Fashion in Paris I decided to learn all I can about the industry because it’s not something in which I’ve had a huge amount of interest.

I suppose I just didn’t really understand why people follow Fashion. Wearing the latest creation of a popular designer or fashion house has never seemed to me like evidence of original thinking. But having finished Anna Wintour’s Masterclass I am pleased to say she has very much broadened my perspective of the role of fashion in the world.

I think one of my main take aways from her course is that not everyone can be a creative leader, but everyone can contribute in a creative way to influencing the world around them. Some people design clothes and others wear them, but those wearing them can be influencers in their own right. Anna Wintour, Editor in Chief of US Vogue magazine since 1988, seems not only to be an incredibly intelligent and not the least bit vacuous person, but also highly aware of the impact and role that fashion can and should play in the world at large. I found her perspective as being considered one of the (if not THE) most influential fashion personalities in the world entirely engaging and illuminating.

Here are some of the most salient points I gleened:

  1. Give people change. People want to have their perspectives challenged and informed even if they enjoy moaning about it. People look to industry leaders to suggest new ways of thinking, being and doing.
  2. Lead from the heart. Choose to work with people who stand for something…and if they stand for something different than you do, become informed from their perspective. Everyone has something to teach us.
  3. Lead by instict, and don’t succumb to outdated thinking. Often the business minds that are behind the creative minds have dramatically different ideas about the creative world, but as a creative person you have to confidently stick to your guns and trust your own inclinations (and learn some powerful tools of persuasion.)
  4. Let the master lead. Always be seeking and supporting new talent if you are lucky enough to find it. (And if you can, make sure it’s someone’s specific job to seek new talent in every area of your business.) And when you find these people, listen to them! Be confident enough to recognize they may very well have a better idea than you do and that your job is to support the best idea, not generate all of them yourself.
  5. Keep your ear to the ground. Every industry is influenced by the world at large and the changes that are always occurring in culture. Being creative is about allowing yourself and your direction to morph as you recognize how the world around you is shifting. I personally liked this point because I made me hopeful that the fashion world is very much aware and is responding the the demands we humans we are inflicting upon the world. This makes me hopeful that tomorrow’s designers who are more ecologically minded will be recognized and supported for their innovation in fashion by fashion media leaders.
  6. Bring others into the process and trust your team. This relates to the point about letting the master lead. It’s important to love a surprise, and to force yourself to remain open to the unexpected. Anna Wintour speaks about various shoots she had envisioned entirely differently but when the photographer, art director, stylists and models etc. were there in the moment together, they all responded to the energy and forged their own way. Having confidence in one’s team to delight you inspires them to continue to do so.
  7. Don’t take credit. Always recognize that every accomplishment is the result of a team of people, so always acknowledge the successes as they occur but give specific credit to others. Empowering those around you will make everyone’s work better.
  8. Take risks and be willing to make mistakes (and then own them, learn from them and move on from them.) Being bold and being wrong creates more learning than cruising along doing the same old thing.
  9. You learn by giving back. Anna Wintour started the CFDA – Vogue Fashion Fund Awards which support young designers by awarding them grants to launch their businesses. She says the visits to the studios of designers and engaging with them is some of her most important work, not just in supporting and encouraging those designers but through being able to see the world through their eyes. She says she learns as much from designers starting out as from the established industry masters.

And my favorite take away, because I’m someone who hasn’t really understood the role that fashion can play in the bigger world is:

10. Find the bigger meaning in your work. There are always ways to speak to the world’s woes in a creative way that can lead to progressive thought and change. In a polarized world it is imperative to take a stand for what you believe in even when and perhaps especially if it’s unpopular. Everyone has a voice. Listen to them all. Encourage discourse so you make an informed perspective on what to support. It’s a serious responsibility to form an educated opinion and share it by creating work that supports it.

The September Issue of Fashion Magazines is the most important one for a fashion magazine apparently, and there is a film about Anna Wintour and her team’s creation of one of those editions. Here is the trailer. I’ve not seen it yet, but the trailer depicts a more ‘cutting’ version of Anna Wintour than was my impression of her from her MasterClass. In her MasterClass series she seems entirely approachable and open minded, gracious and charismatic, but I’m sure she also needs to be discerning and determined and sometimes uncompromising to be the successful head of America’s most influential fashion media outlet. And so should she be.

Media influences du Jour

After a busy couple of weeks of packing and moving and unpacking and settling and school readying, I’ve succumbed to a bug and am feeling very ‘harumphhh’. I would like to ring the little bell from the ManCold Video, and have someone soothingly whisper, ‘Poor Little Bunny’, but instead I’ve been consoling myself with some reading and movie viewing.

Georgia’s acting coach recommended the movie ‘Phantom Thread’ to me. Daniel Day Lewis once again plays an almost maniacal creative genius, akin to his role in Nine. I loved his portrayal of the Italian filmmaker in that movie and his work as a British fashion designer in Phantom Thread is even more impressive.

https://youtu.be/xNsiQMeSvMk

I hesitate to give away the plot but let me say that while the story weaves a thread of fashion, it is more about relationships: with oneself, and with others. The portrayal of his relationship with a local waitress who becomes his muse, lover and wife is strikingly powerful. I had not anticipated how their connection would unfold. It was extremely curious to me to watch the dynamics of power shift between the two individuals, one the fastidious creative master and the other his initially timid muse.

I love when movies and books leave me processing for days and this one has done just that. The power differential between any two individuals who make a couple is always interesting to witness, and when a partnership lasts for years, it inevitably endures all sorts of challenges which change the dynamic. One of the most common changes/challenges for a couple is the creation of a family, and the acquisition of a home and lifestyle, but there are many other strains a couple can experience. Some face the acquisition of fame, or fortune, (or the loss of either/both), others experience one (or both) of the individuals experiencing sickness or other hardship.

The winding journey of the relationship between the famous designer and his seemingly quiet wife was vividly portrayed. My favorite scene was also one which made me cringe to see myself in it.

The designer, who we have seen enjoying the same daily ritual of sketching and planning his day while quietly eating breakfast, is thrown completely off when his lover spends the night and joins him at the table the following morning. His lover noisily slices butter and scratches her knife on her toast. She holds the tea pot up very high and then tips it dramatically so the water has a long distance to land in the tea cup below. She even manages to make stirring the milk in her tea a noisy and off-putting affair.

As this unfolds, the camera pans back and forth between the noise she is making of eating breakfast as many ‘normal’ people would do and the face of the designer as he gets increasingly annoyed with the disruption of his serene routine. His long curls come out of place from his carefully styled hair and fall maddeningly into his eyes with every obtrusive disturbance she creates. He pushes his curls aside and vainly tries to block out his lover’s breakfast noises. Not being able to withstand it any longer he finally barks at her to please stop having so much ‘movement’ and “distraction’ at breakfast.

I laughed and also blanched because I could relate so much to his frustrations. I spend an embarrassing amount of energy trying not to be put-off by the actions of others. If someone is tapping his pen, or jiggling her foot it becomes an unescapable ticker-tape of annoyance in my head. If someone is coughing or clearing their throat, or worse yet, smoking and sending plumes in my direction I am completely put off. The more I try to block it out, the more obvious it becomes. I find myself looking at others to see if they have picked up on what seems to be an obvious and obtrusive disruption to my thought process, and lament to see that I am often alone in my heightened irritation.

The designer is portrayed as the stereotypical ‘mad’ creative genius who is a tyrant, getting angry at his wife for having brought him tea when he was working. She says something along the lines of ‘Ok, Ok, I will take it away. No harm done.’ but he snaps in reply that the harm of her interruption will remain long after she (and her tea) have left.

The designer is clearly a self-absorbed narcissistic pain in the ass, and yet she loves him and comes to understand his eccentricities. She handles and ultimately tames him in a way I had not predicted. The movie reminded me, albeit in a perplexing disturbing way, that what we often see occurring between a couple is really just the tip of the ice burg.

Conversely, I am enjoying a warm fuzzy feeling since having read Mitch Albom’s “The Next Person You Meet in Heaven”. It is the sequel to “The Five People You Meet in Heaven” which I somehow missed. But I loved “Tuesdays With Morrie” and pulled this off my shelf as I lay tucked under covers this weekend.

The story opens with a young bride, Annie, mere hours before her death. I was reminded of Harrison telling me I needed a strong hook to pull my readers in because Albom’s hook was strong and had me from the first sentence.

Annie had a difficult childhood and feels she is the constant ‘maker of mistakes’. Eddie was a ‘nobody who did nothing of any importance’ and this is a tale of how their lives intersect to create meaning for them both. It is magical fable of how everything that happens in life to us as humans is meant to be, and is all just part of our evolutionary process.

There were some beautiful quotes in this speedy quick read that I would highly recommend. For those of us who are animal lovers, Albom’s portrayal of Annie’s childhood dog is truly heart warming and his description of this dog’s view of heaven made me teary. He also has a keen observation on loneliness:

“We fear loneliness, but loneliness itself does not exist. It has no form. It is merely a shadow that falls over us. And just as shadows die when light changes, that sad feeling can depart once we see the truth.”

(And the subtext is that loneliness cannot exist for the evolved in the presence of an animal. I could not agree more and was reminded of how much I enjoyed Matt Haig’s book ‘The Humans’, and his depiction of an alien learning to love a dog.)

Albom also handles deftly, the parent-child relationship. He observes:

“Children begin by needing their parents. Over time, they reject them. Eventually, they become them.”

He also ruminates,

“On earth, we get the what of things. The why takes a little longer.”

I find this to be a beautiful concept: that our so called ignorance as humans is all part of our evolution. We aren’t supposed to know all the answers as earthly creatures. I love the idea that it takes the transition into becoming a heavenly body in order to understand what all the earthly time meant. It also helps us tolerate the end of life on earth for people which he observes is often very difficult for most of us.

Albom closes the story with a very meaningful take-away. Annie thinks she is on a quest to make peace with the people in her earthly past and Eddie, who has already transitioned to the heavenly realm gently reveals,

“(Your mother) was right about making peace,” he said. “But she didn’t mean with me. You only have peace when you make it with yourself. I had to learn that the hard way.”

“The truth is, I spent years thinking I was doing nothing ’cause I was a nobody. You spent years doing lots of things and thinking they were all mistakes.”

He exhaled. “We were both wrong.”

“There’s no such thing as a nobody. And there are no mistakes.”

This is a quick and magical little read for all of us earthly creatures trying to learn the messages of the heavens.

Printemps – I could move in here

I’m not a huge shopper but I must say this store feels like a place I could just cozy up in and call home. There are two multi level stores. One for women and kids and other stuff and one for men. The mens’ is definitely my favorite. The shoe floor alone is a like a museum and everything is just so beautifully ‘merchandised’ (I’m trying to get hip to the fashion lingo G will be teaching me.)

And the Printemps food floor and restaurants are a little piece of heaven. You can find all sorts of amazing yummy things.  I love wandering that floor just to admire the gorgeous attractive packaging.   And of course things are displayed so thoughtfully. There is a champagne bar and cart, and the display of bottles alone is a work of art.

The food in the restaurants is delicious from what we tasted.  I can already tell this will be my go-to hang out spot for a treat, a glass of bubbles and a stunning view.  And the view is nothing short of spectacular:

 

It’s a birdcage of cheese. Georgia loves her cheese!!!
View from Printemps on a cloudy day, March 2019

ESMOD

Georgia will begin studies in Sept 2019 at ESMOD (Ecole Superiere des Arts et Techniques de la Mode.) It was founded in 1841 by the master tailor Alexis Lavigne. It’s in a beautiful building with an interior courtyard covered in intricate stained glass. The day we visited wasn’t particularly sunny but I can imagine how pretty the light would be coming in filtered through the coloured glass above.

Georgia is in the 3 year Fashion Design and Merchandising program. The first year seems to be mostly technical. She has found a sewing machine from a recent grad and I expect it will be close to her side for the next 3 years. Years two and three are a combination of business studies and practicums. Apparently 98% of the students are placed in local fashion houses. I’m curious to see how/who gets what I imagine might be considered the primo practicums at the established fashion houses. Having said that, I could imagine that the newer houses might allow students more hand-on time so I’m sure all practicums have merit.